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  “Well, that was fun,” said Crowe as he pushed Rayner into a chair. “Not cool, man. And look what you did to Detective Rizzoli’s shirt.”

  Jane looked down at the gaping rip that exposed the top of her bra. In cold fury, she grabbed her blazer from the chair where she’d draped it. As she buttoned up, she saw Crowe smirk as he pointedly turned away.

  “You are in trouble,” she said to Rayner through clenched teeth.

  “I’m the one who’s grieving, and you handcuff me? That freak’s the one who belongs in jail!”

  “We haven’t proved he’s guilty.”

  “For God’s sake, he believes he’s a vampire.”

  “It doesn’t mean he killed her.”

  Rayner heaved out a deep breath. “Look, I’m sorry I tore your blouse. Can you take these handcuffs off?”

  Jane and Crowe glanced at each other. She thought of the headache of booking the man. Thought of what she’d say in court. Yes, Your Honor, I know he just lost his daughter and he was emotionally distraught. But I paid a hundred dollars for that blouse.

  With a sigh she unlocked the cuffs.

  “What about him?” Rayner asked, rubbing his wrists. “Is that kid under arrest?”

  “That’s for us to decide.”

  He looked at her. “We’ll see about that.”

  Chapter Seven

  “It sounds like a classic case of folie à deux,” said Maura. “That’s my diagnosis.”

  Of course Maura would come up with a diagnosis, thought Jane. From the instant Maura meets someone, she’s diagnosing him, like a scientist mentally dissecting a lab rat. As Jane tossed aside her torn blouse and buttoned on a new one, she saw Maura eyeing the ruined garment, no doubt analyzing the tensile strength of the threads and the force needed to initiate a rip.

  “A pity,” said Maura. “That looks like dupioni silk.”

  “I got it on sale, too.”

  “Even sadder.” Maura turned toward Jane’s kitchen. “I brought us take-out Chinese. Shall I put it on the plates?”

  “What’s wrong with eating out of the cartons?”

  “Jane. Really.” Maura opened up cupboards and pulled out dishware.

  “So tell me about this folie à deux thing.”

  “It’s a delusion shared by two people,” said Maura. “In this case, their delusion was that they’re vampires. And it sounds like they carried it to extremes. Avoiding daylight. Sleeping in a coffin.”

  “Which is where he’ll probably slink back to, since we didn’t have enough evidence to hold him.” Jane shook her head. “He swears they were living only on air and blood. Is that possible?”

  Maura considered this as she dished out spoonfuls of kung pao chicken and stir-fried pea shoots. “Blood has plenty of iron, but it lacks essential vitamins. And since it’s seven hundred calories per liter, you’d have to drink three liters of blood a day.” She set a plate of food in front of Jane. “Bon appétit.”

  “You know, I really didn’t need to know that.”

  “It does explain why Kimberly Rayner was so malnourished. I’ve seen dead anorexics with more body fat. If she’s been eating only blood, she could hardly fight off a strangler.”

  “Heck, she couldn’t fight off the common cold virus.”

  Expertly wielding chopsticks, Maura delicately plucked up a morsel of chicken. “Scientifically speaking, the common cold isn’t caused by one particular virus. It’s a constellation of symptoms that …” She suddenly stopped, frowning.

  “What?”

  “Jane, you just raised a very good point.”

  “I did?”

  “About her lack of resistance to disease processes.”

  “How is that relevant? She was strangled.”

  “It looked like strangulation.” Maura set down her chopsticks. “But the autopsy just might reveal something else entirely.”

  Chapter Eight

  Through the viewing window, Jane and Frost could see the dead girl lying on the table in the next room. The naked body looked even more wasted than Jane remembered, the hipbones jutting out, every rib shockingly visible. But above the neck, in grotesque contrast with the skeletally thin body, the face was bloated, the eyelids swollen almost shut.

  “You sure you’re up for this?” Jane asked Frost.

  “I’m fine. I’m okay,” he insisted.

  “That’s what you said the last time,” Jane muttered as she pushed into the autopsy room, where Maura and her assistant had already assembled their knives and scalpels, bone-cutters and tweezers. Jane avoided looking at that frightening array of instruments and focused instead on Kimberly Rayner. Once she might have been a pretty blue-eyed blonde who’d turned boys’ heads. Now with so much fat and muscle stripped away, she was a skeletal husk. Had months on a self-imposed diet of “air and blood” caused this?

  “No surprises in her X-rays,” said Maura as she flipped on bright lights. “Let’s take a closer look at the neck.”

  “Still looks like strangulation bruises to me.” Jane glanced at Frost, who was standing yards away from the table, strategically placing himself near the sink. “You should get a closer look at this.”

  “I can see it fine from here,” he said.

  “And see how her face is swollen,” Jane added. “That happens when you constrict the neck, right?”

  “It’s one mechanism,” said Maura.

  “So what else would cause a swollen face?”

  “An allergic reaction. Anaphylaxis.” Above the surgical mask, Maura’s forehead suddenly wrinkled into a frown. “Or Latrodectus facies,” she said softly.

  “Come again?”

  Maura didn’t answer, but reached for a magnifying glass. Bending close, she turned the girl’s head to expose the side of the neck. Staring at the skin, she murmured: “My God, it’s so small I almost missed it.”

  “What?”

  “A puncture mark.”

  Frost’s cell phone suddenly rang.

  Maura’s focus remained glued to the corpse’s throat. She turned the head the other way to examine the opposite side of the neck. “There’s another one here.”

  “You mean, like needle marks to draw blood?”

  “No, like—”

  “Rizzoli, we gotta go!” yelled Frost. “St. Anthony’s Church.”

  “What’s going on?”

  “The girl’s father. He’s taken Lucas Henry hostage, and he’s threatening to kill him!”

  Chapter Nine

  Four Boston PD cruisers were parked in front of St. Anthony’s, rack lights flashing as Jane and Frost scrambled out of their car and ran toward the church.

  “He’s got the boy inside,” a patrolman reported. “We have all the entrances covered, and we’ve been trying to talk him out, but he’s not cooperating.”

  “Let me talk to him,” said Jane, pulling on a Kevlar vest.

  “Ma’am, he’s already fired off a few rounds. That’s how we got the call, when someone in the neighborhood reported gunfire.”

  “Is the boy okay?”

  “He was able to answer us. Other than that, I don’t know.” The patrolman looked her up and down, as though questioning her ability to deal with the situation. “There’s a team on the way. I don’t think you should—”

  “I know Rayner. I’m the one who should do this.” Jane started toward the church entrance. “Mr. Rayner!” she yelled through the door. “It’s Detective Rizzoli. I want to talk to you!”

  From inside came Rayner’s shout: “Don’t bother! It won’t make a difference!”

  At least he wasn’t issuing threats. “I’m opening the door now,” she announced. “I’m coming in alone.” There was no answer. She took a breath and stepped over the threshold.

  It was gloomy inside, lit only by the distant flicker of a burning candle. She could not see Rayner or Lucas, but she could hear the boy’s terrified whimpers somewhere in the shadows. Bat wings flapped overhead.

  “He’s crazy!” Lucas sobbed. “He broke in
here while I was sleeping. Says he’s going to kill me.”

  Jane’s eyes had adjusted to the darkness, and she could see them now. Lucas sat huddled against a pew, and Rayner stood over him, his weapon pointed at the boy’s head.

  “Let him go,” said Jane. “This doesn’t help anyone.”

  “It’s justice,” said Rayner. “That’s worth something.”

  “Is it worth your own life?”

  “Someone has to pay. We both know he killed her.”

  “I didn’t!” wailed Lucas. “I keep telling you that!”

  Jane said, “If the boy’s guilty, let the courts prove it.”

  “They won’t,” said Rayner. “You said last night there’s no proof. There’ll never be enough proof. My girl’s gone, and he’ll walk away free and clear.”

  Even in the gloom, Jane could see Rayner’s arm straighten as his hand tightened around the grip. As she drew her own weapon, her cell phone rang. All three of them froze, caught on the threshold of violence. She let the phone keep ringing as she kept her gaze on Rayner.

  “If Lucas killed her,” Jane said, “I swear I’ll find a way to prove it. And he will go to prison.”

  She and Rayner stared at each other in the gloom. Now another phone began to ring, but this time it wasn’t hers—it was Rayner’s. Without breaking eye contact, he answered it. “Hello?” There was a long silence, then he bent down and slid the phone across the floor toward Jane. “It’s for you.”

  Baffled, Jane picked it up. “Rizzoli.”

  Maura answered. “Jane, I’m standing right outside. The boy didn’t do it!”

  “Then who did?”

  “The killer’s inside that church. With you.”

  Chapter Ten

  Maura’s footsteps echoed across the stone floor as she approached them through the shadows. “I’m alone,” she called out. “And I’m not armed. All I have is a flashlight, and I’m going to turn it on.”

  “What the hell’s going on?” Rayner demanded.

  “I’m Dr. Maura Isles, the medical examiner. I performed your daughter’s autopsy, and I can prove that Lucas Henry didn’t kill her.”

  “How the hell can you prove that?”

  “By showing you the real killer.” Maura’s flashlight came on, and Jane squinted at the sudden glare of the beam. “Lucas, tell me where Kimberly was sleeping.”

  The boy’s voice was shaky in the darkness. “I couldn’t find a coffin for her. So we dragged in that cardboard box. Over there.”

  Maura’s flashlight beam swept the shadows and came to a stop on a giant appliance carton. She approached it and read the shipping label. “This box was sent from North Carolina.”

  “So what?” said Rayner.

  She bent down and stared into the carton. “Jane, do you want to come take a look?”

  Jane crouched down beside her and whispered: “What the hell do you think you’re doing here?”

  “I told you. Identifying the killer.” Maura aimed her flashlight beam into the box, scanning past rumpled blankets and a stained pillow, to focus on the corner above. “There’s our perp.”

  Jane stared at the gossamer web, and the creature that had woven it. “A spider?”

  “Genus Latrodectus. A black widow. It probably hitched a ride from North Carolina and bit the victim while she was sleeping in this box. She may not have even felt the bite. In most healthy adults, the poison’s not fatal, but Kimberly was not a healthy adult. She was malnourished and medically fragile.” Maura’s voice dropped so that only Jane could hear her next words. “Death would have been excruciating. Muscle spasms, abdominal pain, followed by respiratory arrest. No wonder passersby heard her screaming.”

  Jane rose to her feet and turned to Rayner. “Your daughter wasn’t murdered, sir. It was a spider bite. A freak death. And the killer’s right here, in this box.”

  Slowly the man lowered his weapon. Even as Jane took it away and handcuffed him, Rayner stood motionless, his head bowed. “I only wanted justice,” he said. “Justice for my little girl.”

  “And you’ll have it, Mr. Rayner,” said Jane. “In this case, all it takes is the heel of a shoe.”

  Read on for an exciting preview of Tess Gerritsen’s next thrilling novel featuring Maura Isles and Jane Rizzoli

  THE SILENT GIRL

  ONE

  SAN FRANCISCO

  ALL DAY, I HAVE BEEN WATCHING THE GIRL. She gives no indication that she’s aware of me, although my rental car is within view of the street corner where she and the other teenagers have gathered this afternoon, doing whatever bored kids do to pass the time. She looks younger than the others, but perhaps it’s because she’s Asian and petite at seventeen, just a wisp of a girl. Her black hair is cropped as short as a boy’s, and her blue jeans are ragged and torn. Not a fashion statement, I think, but a result of hard use and life on the streets. She puffs on a cigarette and exhales a cloud of smoke with the nonchalance of a street thug, an attitude that doesn’t match her pale face and delicate Chinese features. She is pretty enough to attract the hungry stares of two men who pass by. The girl notices their gazes and looks straight back at them, unafraid. It’s easy to be fearless when danger is merely an abstract concept. Faced with a real threat, how would this girl react? I wonder. Would she fight or would she crumble? I want to know, but I have yet to see her put to the test.

  As evening falls, the teenagers on the corner begin to disband. First one and then another wanders away. In San Francisco, even summer nights are chilly, and those who remain huddle together in their sweaters and jackets, lighting one another’s cigarettes, savoring the ephemeral heat of the flame. But cold and hunger eventually disperse the last of them, leaving only the girl, who has nowhere to go. She waves to her departing friends, and for a while lingers alone, as though waiting for someone. At last, with a shrug, she leaves the corner and walks in my direction, her hands thrust in her pockets. As she passes my car, she doesn’t even glance at me, but looks straight ahead, her gaze focused and fierce, as if she’s mentally churning over some dilemma. Perhaps she’s thinking about where she’s going to scavenge dinner tonight. Or perhaps it’s something more consequential. Her future. Her survival.

  She’s probably unaware that two men are following her.

  Seconds after she walks past my car, I spot the men emerging from an alley. I recognize them; it’s the same pair who had stared at her earlier. As they move past my car, trailing her, one of the men looks at me through the windshield. It’s just a quick glance to assess whether I am a threat. What he sees does not concern him in the least, and he and his companion keep walking. They move like the confident predators they are, stalking much weaker prey who cannot possibly fight them off.

  I step out of my car and follow them. Just as they are following the girl.

  She heads deep into the neighborhood south of Market Street, where too many buildings stand abandoned, where the sidewalks seem paved with broken bottles. The girl betrays no fear, no hesitation, as if this is familiar territory for her. Not once does she glance back, which tells me she is either foolhardy or clueless about the world and what it can do to girls like her. The men following her don’t glance back either. Even if they did, which I do not allow, they would see nothing to fear. No one ever does.

  A block ahead, the girl turns right, vanishing through a doorway.

  I slip into the shadows and watch what happens next. The two men pause outside the building that the girl has entered, conferring over strategy. Then they too step inside.

  From the sidewalk, I look up at the boarded-over windows. It is a vacant warehouse posted with a NO TRESPASSING notice. The door hangs ajar. I slip inside, into gloom so thick that I pause to let my eyes adjust as I rely on my other senses to take in what I cannot yet see. I hear the floor creaking. I smell burning candle wax. I see the faint glow of a doorway to my left. Pausing outside it, I peer into the room beyond.

  The girl kneels before a makeshift table, her face lit by one flickering can
dle. Around her are signs of temporary habitation: a sleeping bag, tins of food, and a small camp stove. She is struggling with a balky can opener and is unaware of the two men closing in from behind.

  Just as I draw in a breath to shout a warning, the girl whirls around to face the trespassers. All she has in her hand is the can opener, a meager weapon against two larger men.

  “This is my home,” she says. “Get out.”

  I had been prepared to intervene. Instead I pause where I am to watch what happens next. To see what the girl is made of.

  One of the men laughs. “We’re just visiting, honey.”

  “Did I invite you?”

  “You look like you could use the company.”

  “You look like you could use a brain.”

  This, I think, is not a wise way to handle the situation. Now their lust is mingled with anger, a dangerous combination. Yet the girl stands perfectly still, perfectly calm, brandishing that pitiful kitchen utensil. As the men lunge, I am already on the balls of my feet, ready to spring.

  The girl springs first. One leap and her foot thuds straight into the first man’s sternum. It’s an inelegant but effective blow and he staggers, gripping his chest as if he cannot breathe. Before the second man can react, she is already spinning toward him, and she slams the can opener against the side of his head. He howls and backs away.

  This has turned interesting.

  The first man has recovered and rushes at her, slamming her so hard that they both go sprawling onto the floor. She kicks and punches, and her fist cracks into his jaw. But fury has inured him to pain, and with a roar he rolls on top of her, immobilizing her with his weight.

  Now the second man jumps back in. Grabbing her wrists, he pins them against the floor. Here is where youth and inexperience have landed her, in a calamity that she cannot possibly escape. As fierce as she is, the girl is green and untrained, and the inevitable is about to happen. Already the first man has unzipped her jeans and he yanks them down, past her skinny hips. His arousal is evident, his trousers bulging. Never is a man more vulnerable to attack.