Rizzoli & Isles [01] The Surgeon Page 11

  “This is it,” said Moore, as the cruiser just ahead of them turned right onto Eliot Street. He followed suit and, a block later, pulled up behind it.

  The cruiser’s dome light shot surreal flashes of blue into the night as Moore, Rizzoli, and Frost stepped through the front gate and approached the house. Inside, one faint light glowed.

  Moore shot a look at Frost, who nodded and circled toward the rear of the building.

  Rizzoli knocked on the front door and called out: “Police!”

  They waited a few seconds.

  Again Rizzoli knocked, harder. “Ms. Peyton, this is the police! Open the door!”

  There was a three-beat pause. Suddenly Frost’s voice crackled over their com units: “There’s a screen pried off the back window!”

  Moore and Rizzoli exchanged glances, and without a word the decision was made.

  With the butt of his flashlight, Moore smashed the glass panel next to the front door, reached inside, and slid open the bolt.

  Rizzoli was first into the house, moving in a semicrouch, her weapon sweeping an arc. Moore was right behind her, adrenaline pulsing as he registered a quick succession of images. Wood floor. An open closet. Kitchen straight ahead, living room to the right. A single lamp glowing on an end table.

  “The bedroom,” said Rizzoli.

  “Go.”

  They started up the hallway, Rizzoli taking the lead, her head swiveling left and right as they passed a bathroom, a spare bedroom, both empty. The door at the end of the hall was slightly ajar; they could not see past it, into the dark bedroom beyond.

  Hands slick on his weapon, heart thudding, Moore edged toward the door. Gave it a nudge with his foot.

  The smell of blood, hot and foul, washed over him. He found the light switch and flicked it on. Even before the image hit his retinas, he knew what he would see. Yet he was not fully prepared for the horror.

  The woman’s abdomen had been flayed open. Loops of small bowel spilled out of the incision and hung like grotesque streamers over the side of the bed. Blood dribbled from the open neck wound and collected in a spreading pool on the floor.

  It took Moore an eternity to process what he was seeing. Only then, as he fully registered the details, did he understand their significance. The blood, still fresh, still dripping. The absence of arterial spray on the wall. The ever-widening pool of dark, almost black blood.

  At once he crossed to the body, his shoes tracking straight through the blood.

  “Hey!” yelled Rizzoli. “You’re contaminating the scene!”

  He pressed his fingers to the intact side of the victim’s neck.

  The corpse opened her eyes.

  Dear god. She’s still alive.

  eight

  Catherine jerked rigid in bed, heart slamming in her chest, every nerve electric with fear. She stared at the darkness, struggling to quell her panic.

  Someone was pounding on the door of the call room. “Dr. Cordell?” Catherine recognized the voice of one of the E.R. nurses. “Dr. Cordell!”

  “Yes?” said Catherine.

  “We have a trauma case coming in! Massive blood loss, abdominal and neck wounds. I know Dr. Ames is covering for trauma tonight, but he’s delayed. Dr. Kimball could use your help!”

  “Tell him I’ll be there.” Catherine turned on the lamp and stared at the clock. It was 2:45 A.M. She’d slept only three hours. The green silk dress was still draped over the chair. It looked like something foreign, from another woman’s life, not her own.

  The scrub suit she’d worn to bed was damp with sweat, but she had no time to change. She gathered her tangled hair in a ponytail and went to the sink to splash cold water on her face. The woman staring back at her from the mirror was a shell-shocked stranger. Focus. It’s time to let go of the fear. Time to go to work. She slipped her bare feet into the running shoes she’d retrieved from her hospital locker and, with a deep breath, stepped out of the call room.

  “ETA two minutes!” called the E.R. clerk. “Ambulance says pressure’s down to seventy systolic!”

  “Dr. Cordell, they’re setting up in Trauma One.”

  “Who’ve we got on the team?”

  “Dr. Kimball and two interns. Thank god you’re already in-house. Dr. Ames’s car conked out and he can’t get in. . . .”

  Catherine pushed into Trauma One. In a glance she saw the team had prepared for the worst. Three poles were hung with Ringer’s lacate; IV tubes were coiled and ready for connection. A courier was standing by to run blood tubes to the lab. The two interns stood on either side of the table, clutching IV catheters, and Ken Kimball, the E.R. doc on duty, had already broken the tape sealing the laparotomy tray.

  Catherine pulled on a surgical cap, then thrust her arms into the sleeves of a sterile gown. A nurse tied the gown in back and held open the first glove. With every piece of the uniform came another layer of authority and she was feeling stronger, more in control. In this room, she was the savior, not the victim.

  “What’s the story on the patient?” she asked Kimball.

  “Assault. Trauma to the neck and abdomen.”

  “Gunshot?”

  “No. Stab wounds.”

  Catherine paused in the act of snapping on the second glove. A knot had suddenly formed in her stomach. Neck and abdomen. Stab wounds.

  “Ambulance is pulling in!” a nurse yelled through the doorway.

  “Blood and guts time,” said Kimball, and he stepped out to meet the patient.

  Catherine, already in sterile garb, stayed right where she was. The room had suddenly gone silent. Neither the two interns flanking the table nor the scrub nurse, poised to hand Catherine surgical instruments, said a word. They were focused on what was happening beyond the door.

  They heard Kimball yell: “Go, go, go!”

  The door flew open, and the gurney wheeled in. Catherine caught a glimpse of blood-soaked sheets, of a woman’s matted brown hair and a face obscured by the tape holding an ET tube in place.

  With a one-two-three! they slid the patient onto the table.

  Kimball pulled off the sheet, baring the victim’s torso.

  In the chaos of that room, no one heard Catherine’s sharp intake of breath. No one noticed her take a stumbling step backward. She stared at the victim’s neck, where the pressure dressing was saturated a deep red. She looked at the abdomen, where another hastily applied dressing was already peeling free, spilling trickles of blood down the naked flank. Even as everyone else sprang into action, connecting IV’s and cardiac leads, squeezing air into the victim’s lungs, Catherine stood immobilized by horror.

  Kimball peeled off the abdominal dressing. Loops of small bowel spilled out and plopped onto the table.

  “Systolic’s barely palpable at sixty! She’s in sinus tach—”

  “I can’t get this IV in! Her vein’s collapsed!”

  “Go for a subclavian!”

  “Can you toss me another catheter?”

  “Shit, this whole field’s contaminated. . . .”

  “Dr. Cordell? Dr. Cordell?”

  Still in a daze, Catherine turned to the nurse who’d just spoken and saw the woman frowning at her over the surgical mask.

  “Do you want lap pads?”

  Catherine swallowed. Took a deep breath. “Yes. Lap pads. And suction . . .” She re-focused on the patient. A young woman. She had a disorienting flashback to another E.R., to the night in Savannah when she herself had been the woman lying on the table.

  I won’t let you die. I won’t let him claim you.

  She grabbed a handful of sponges and a hemostat from the instrument tray. She was fully focused now, the professional back in control. All the years of surgical training automatically kicked into gear. She turned her attention first to the neck wound and peeled off the pressure dressing. Dark blood dribbled out and splattered the floor.

  “The carotid!” said one of the interns.

  Catherine slapped a sponge against the wound and took a deep breath.
“No. No, if it was the carotid she’d already be dead.” She looked at the scrub nurse. “Scalpel.”

  The instrument was slapped in her hand. She paused, steadying herself for the delicate task, and placed the tip of the scalpel on the neck. Maintaining pressure on the wound, Catherine swiftly slit through the skin and dissected upward toward the jaw, exposing the jugular vein. “He didn’t cut deep enough to reach the carotid,” she said. “But he did get the jugular. And this end’s retracted up into the soft tissue.” She tossed down the scalpel and grabbed the thumb forceps. “Intern? I need you to sponge. Gently! ”

  “You going to re-anastomose?”

  “No, we’re just going to tie it off. She’ll develop collateral drainage. I need to expose enough vein to get suture around it. Vascular clamp.”

  Instantly the instrument was in her hand.

  Catherine positioned the clamp and snapped it over the exposed vessel. Then she released a sigh and glanced at Kimball. “This bleeder’s down. I’ll tie it off later.”

  She turned her attention to the abdomen. By now Kimball and the other intern had cleared the field using suction and lap pads, and the wound was fully exposed. Gently Catherine nudged aside loops of bowel and stared into the open incision. What she saw made her sick with rage.

  She met Kimball’s stunned gaze across the table.

  “Who would do this?” he said softly. “Who the hell are we dealing with?”

  “A monster,” she said.

  “The vic’s still in surgery. She’s still alive.” Rizzoli snapped her cell phone shut and looked at Moore and Dr. Zucker. “We now have a witness. Our unsub’s getting careless.”

  “Not careless,” said Moore. “Rushed. He didn’t have time to finish the job.” Moore stood by the bedroom door, studying the blood on the floor. It was still fresh, still glistening. It’s had no time to dry. The Surgeon was just here.

  “The photo was e-mailed to Cordell at seven fifty-five P.M.,” said Rizzoli. “The clock in the photo said two-twenty.” She pointed to the clock on the nightstand. “That’s set at the correct time. Which means he must have taken the photo last night. He kept that victim alive, in this house, for over twenty-four hours.”

  Prolonging the pleasure.

  “He’s getting cocky,” said Dr. Zucker, and there was an unsettling note of admiration in his voice. An acknowledgment that here was a worthy opponent. “Not only does he keep the victim alive for a whole day; he actually leaves her here, for a time, to send that e-mail. Our boy is playing mind games with us.”

  “Or with Catherine Cordell,” said Moore.

  The victim’s purse was lying on top of the dresser. With gloved hands, Moore went through the contents. “Wallet with thirty-four dollars. Two credit cards. Triple A card. Employee ID badge for Lawrence Scientific Supplies, Sales Department. Driver’s license, Nina Peyton, twenty-nine years old, five foot four, a hundred thirty pounds.” He flipped over the license. “Organ donor.”

  “I think she just donated,” said Rizzoli.

  He unzipped a side pocket. “There’s a datebook.”

  Rizzoli turned to look at him with interest. “Yes?”

  He opened the book to the current month. It was blank. He flipped backward until he found an entry, written nearly eight weeks before: Rent due. He flipped further back and saw more entries: Sid’s B-day. Dry cleaning. Concert 8:00. Staff meeting. All the mundane little details that make up a life. Why had the entries suddenly stopped eight weeks ago? He thought of the woman who had written these words, printing neatly in blue ink. A woman who had probably looked ahead to the blank page for December and pictured Christmas and snow with every reason to believe she would be alive to see it.

  He closed the book and was so overwhelmed by sadness that for a moment he could not speak.

  “There’s nothing at all left behind in the sheets,” said Frost, crouched by the bed. “No loose surgical threads, no instruments, nothing.”

  “For a guy who was supposedly in a hurry to leave,” said Rizzoli, “he did a good job of cleaning up after himself. And look. He had time to fold the nightclothes.” She pointed to a cotton nightgown, which lay neatly folded on a chair. “This doesn’t go along with his being in a rush.”

  “But he left his victim alive,” said Moore. “The worst possible mistake.”

  “It doesn’t make sense, Moore. He folds the nightgown, picks up after himself. And then he’s so careless as to leave behind a witness? He’s too smart to make this mistake.”

  “Even the smartest ones screw up,” said Zucker. “Ted Bundy got careless at the end.”

  Moore looked at Frost. “You’re the one who called the victim?”

  “Yeah. When we were running down that list of phone numbers the library gave us. I called this residence around two, two-fifteen. I got the answering machine. I didn’t leave any message.”

  Moore glanced around the room but saw no answering machine. He walked out to the living room and spotted the phone on the end table. It had a caller ID box, and the memory button was smeared with blood.

  He used the tip of a pencil to press the button, and the phone number of the last caller was displayed on the digital readout.

  Boston PD 2:14 A.M.

  “Is that what spooked him?” asked Zucker, who’d followed him into the living room.

  “He was right here when Frost called. There’s blood on the caller ID button.”

  “So the phone rang. And our unsub wasn’t finished. He hadn’t achieved satisfaction. But a phone call in the middle of the night must have rattled him. He came out here, into the living room, and saw the number on the caller ID box. Saw it was the police, trying to reach the victim.” Zucker paused. “What would you do?”

  “I’d clear out of here.”

  Zucker nodded, and a smile twitched at his lips.

  This is all a game to you, thought Moore. He went to the window and looked out at the street, which was now a bright kaleidoscope of flashing blue lights. Half a dozen cruisers were parked in front of the house. The press was out there, too; he could see the local TV vans setting up their satellite feeds.

  “He didn’t get to enjoy it,” Zucker said.

  “He completed the excision.”

  “No, that’s just the souvenir. A little reminder of his visit. He wasn’t here just to collect a body part. He came for the ultimate thrill: to feel a woman’s life drain away. But this time he didn’t achieve it. He was interrupted, distracted by fear that the police were coming. He didn’t stay long enough to watch his victim die.” Zucker paused. “The next one’s going to come very soon. Our unsub is frustrated, and the tension is getting unbearable for him. Which means he’s already on the hunt for a new victim.”

  “Or he’s already chosen her,” said Moore. And thought: Catherine Cordell.

  The first streaks of dawn were lightening the sky. Moore had not slept in nearly twenty-four hours, had been going full throttle for most of the night, fueled only by coffee. Yet as he looked up at the brightening sky, what he felt was not exhaustion but renewed agitation. There was some connection between Catherine and the Surgeon that he did not understand. Some invisible thread that bound her to that monster.

  “Moore.”

  He turned to see Rizzoli and instantly picked up on the excitement in her eyes.

  “Sex Crimes just called,” she said. “Our victim is a very unlucky lady.”

  “What do you mean?”

  “Two months ago, Nina Peyton was sexually assaulted.”

  The news stunned Moore. He thought of the blank pages in the victim’s datebook. Eight weeks ago, the entries had stopped. That was when Nina Peyton’s life had screeched to a halt.

  “There’s a report on file?” said Zucker.

  “Not just a report,” said Rizzoli. “A rape kit was collected.”

  “Two rape victims?” said Zucker. “Could it be this easy?”

  “You think their rapist comes back to kill them?”

  “It’s go
t to be more than random chance. Ten percent of serial rapists later communicate with their victims. It’s the perp’s way of prolonging the torment. The obsession.”

  “Rape as foreplay to murder.” Rizzoli gave a disgusted snort. “Nice.”

  A new thought suddenly occurred to Moore. “You said a rape kit was collected. So there was a vaginal swab?”

  “Yep. DNA’s pending.”

  “Who collected that swab? Did she go to the emergency room?” He was almost certain that she’d say: Pilgrim Hospital.

  But Rizzoli shook her head. “Not the E.R. She went to Forest Hills Women’s Clinic. It’s right down the road.”

  On a wall in the clinic waiting room, a full-color poster of the female genital tract was displayed beneath the words: Woman. Amazing Beauty. Though Moore agreed that a woman’s body was a miraculous creation, he felt like a dirty voyeur, staring at that explicit diagram. He noticed that several women in the waiting room were eyeing him the way gazelles regard a predator in their midst. That he was accompanied by Rizzoli did not seem to alter the fact he was the alien male.

  He was relieved when the receptionist finally said, “She’ll see you now, Detectives. It’s the last room on the right.”

  Rizzoli led the way down the hall, past posters with The 10 signs your partner is abusive and How do you know if it’s rape? With every step he felt as if another stain of male guilt had attached itself to him, like dirt soiling his clothes. Rizzoli felt none of this; she was the one on familiar ground. The territory of women. She knocked on the door that said: “Sarah Daly, Nurse Practitioner.”

  “Come in.”

  The woman who stood up to greet them was young and hip-looking. Under her white coat she wore blue jeans and a black tee shirt, and her boyish haircut emphasized dark gamine eyes and elegant cheekbones. But what Moore could not stop focusing on was the small gold hoop in her left nostril. For much of the interview, he felt as if he were talking to that hoop.